Ching Chong China Girl
From fruitshop to foreign correspondent

Warning: Not to be read by convent girls not wearing their gloves.

Former ABC Beijing correspondent Helene Chung, who was the first non-white reporter on Australian TV and the first female posted abroad by the Australian Broadcasting Corporation, is a fourth-generation Tasmanian.

At St Mary's College in 1950s Hobart, Helene and her sister, Lehene (Lay-heen), alone were Chinese. They alone suffered the shame of divorced parents. Amidst fair-haired girls from good Catholic homes, they kept a shocking secret.

Their mother, Miss Henry, was a nude model, who also lived in sin with a foreign devil and drove a red MG. The family feud kept their father’s three other marriages under wraps.

Ching Chong China Girl concerns the transition from White to Multicultural Australia and airs amusing off-camera antics inside the once-chauvinist ABC. With its theme the search for identity, it canvanses changes in attitude to race, religion, sex and gender. Unlike conventional agonising over a Catholic childhood, this memoir, with its racial, religious, sexual and sexist humour, agonises over the colour of the flesh and the sins of the parents’ flesh. It opens in Hobart, moves to mainland Australia, travels through Asia and on to the Middle East and Europe, traversing cultures East and West.

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ABC Books Media Release

Launch of Ching Chong China Girl

What the Critics Say

This is an autobiography like no other. Here is a Tasmania few remember; here is the individual; here is the pain, strength and humour of families; here is love and isolation; here is the world we have all inherited. And in Helene Chung’s case, influenced.

Mike Bingham, Sunday Tasmanian, 19 May 2008
HOBART'S CHINA GIRL, 'Triumph over the China syndrome:
From outcast Hobart schoolgirl to foreign correspondent,
Helene Chung discusses her new autobiography with Mike Bingham'

The convent-educated author thanked her mother, Dorothy Henry Greener, and her father, Charles, 'not for my birth but for their divorce, which catapulted me at 16 months into the challenging childhood which, for better or worse, made me what I am'.

Meryl Naidoo, Mercury, 23 May 2008: 'Hobart model mum's true story laid bare'

Here is the story of how this Australian-born Chinese Catholic school girl became, in many ways, emblematic of the changing nature of Australia. She may have been teased at school in Tasmania ... with the old 'Ching Chong' rhyme ... but the spirit, energy and clear-sighted intelligence that eventually took her to journalism - via the theatre - and on to such iconic programs as This Day Tonight, then to become the ABC's correspondent in Beijing, shine through in this engaging memoir. Its tone is conversational, often wry and humorous but the passages dealing with the deaths of her husband and sister are told in simple prose that accentuates the loss. Like so many memoirs, it's a portrait of the subject's journey through life, the bright and the bleak, and the times themselves.

Steven Carroll, Age, 31 May 2008:
'emblematic of the changing nature of Australia'

Ching Chong China Girl is a lively read, and a significant reminder of one of the oldest strands of the Australian migrant story ... the author's intelligence and determination create an idiosyncratic portrait of what first- and second-generation migrants endure, and how they triumph.

Joan Grant, Australian Book Review, July-August 2008: 'Tiger luck'

It is a must read for anyone wanting to understand how the people of Chinese heritage have established themselves around the world ... The story is not told as a family saga, but as a series of easy-to-read vignettes - fascinating for the insight they give into the Chinese backbone of multi-cultural Australia.

David Robert, Amazon, 9 February 2012

This is two books in one. It is a picaresque tale of a good St Mary's girl who gave up wearing gloves and found it didn't hurt and life beyond fantastic; roaming the world as journalist and foreign correspondent, and with happy optimism and Chinese luck always finding someone to give her an assignment, including in the land of her ancestors, China.

It is also a  significant addition to Tasmanian family history, colouring in one of the best-known Chinese Australian families in Hobart with fact and anecdote of life, relationships, social mores and the sometimes scandalising (for mid-twentieth century Hobart society) behaviour of various of Chung's relatives including her mother. The liveliest and most insightful account yet of how life looked from the vantage point of a Chinese Tasmanian family in the second half of the 20th century: the family life of middle-class shopkeepers (and one bohemian), and the effects of the feuding and complications of the conventions of multiple marriages by male members; and the life of Hobart and Australian society in general, of which Australian-born Chung feels entirely a part even if some others have not always allowed that she was.

Along the way, the book also offers a small history of the highly personalised and often eccentric HR culture of the ABC, for which Chung worked in many places West and East, and its long resistance to assigning women to its overseas posts and Australians of non-Caucasian physiognomy to front its TV programs.

And a love story, that ends in unexpected sorrow, but not in pessimism or despair.

Dr Stephen FitzGerald, AO
Australia's first Ambassador to the People's Republic of China

Launch of Ching Chong China Girl

by ABC Radio National's Julie Copeland
Readings/Asialink Melbourne, Thursday 8 May 2008
(Photographs by Greg Noakes; group of seven by Helen Richardson)

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All material © 2012 Helene Chung. All rights reserved. helenechung.com

Pronunciation: He-lane and Chung as in hung